Writers’ Conference Takeaway

"Overwhelmed" 18 x 18

“Overwhelmed” 18 x 18

I spent the past weekend immersed in a rather wonderful “agents and editors conference” put on by   Writers’ League of Texas   in Austin.  I’m a newcomer to this whole writing and publishing game, so I was eager to learn, excited about pitching to an agent face-to-face, curious to see what other writers are up to and what they have to say about what we do. I was looking for insight on how to plot my course forward as I nurture my first self-published novel and ready the next one for its eventual debut in print.

Here is what I think I learned from my colleagues and the gatekeepers of our profession:

Although there are many paths forward, there seem to be two disparate directions the novice writer might take. One I would call the “path of honor”. This path is pursued by submitting material for contests and literary journals, striving to accrue accolades from the anointed and an eventual place within a “big house”. The other is the “path of material reward” – marketing the hell out of deliberately marketable stories and raking in the dollars from an adoring public, keeping them salivating for more. However much we wish to believe in a convergence of these paths, it’s rare. Exceptionally rare. I met successful and talented writers on both trajectories and I maintain deep respect for their personal choices, diligence, artistry, and generosity in sharing stories from their respective paths.

I’m not sure either of these distinct directions is for me. I’m an independent at heart, happiest when I’m doing my own thing. I don’t care much for either accolades or material reward. I want readers. I want to reach people who want to think about and talk about the things my stories are about. And I believe stories always have to be about more than a sequence of events. As an artist, I finally had to accept the label of “conceptual artist”, however uncool that may be. I’m also a conceptual writer.

I come away from the conference still uncertain of my path forward. If I found the “right” agent, could I be happy on that path? If I could tap into and inspire the “right” audience, would I be willing to market to them in order to keep them as fans?

TO BE CONTINUED…

This Is Not a White Country

We're All In This Together... 36 x 18, $650

We’re All In This Together… 36 x 18, $650

Let’s get one thing straight: America is not a white country and never has been. In the first instance, it was settled by immigrants from Asia. We call these people “Native Americans” and they had established several thriving civilizations throughout the Americas long before Europeans ever set foot here. In the year of Columbus’ momentous “discovery”, the largest city in the world was Tenochtitlan, the Aztec capital in central Mexico. There were also smaller cities across the North American Midwest, integrated with one another by extensive trade networks. Spanish explorers reported on these cities, most of which had disappeared by the time the English and French arrived, due to the spread of diseases brought in by the Spaniards.

When scores of disinherited younger sons of English lords came on the scene, seeking to establish their own lordships in the New World, they found the country very unlike the British Isles, so they began using slave labor to work their fields and herd their cattle. But the slaves were not just for labor. Have you ever asked yourself what a bunch of Englishmen knew about raising rice and cotton? The answer is clear: Absolutely nothing. The experts in raising rice and cotton – and also the experts in running cattle in open ranges – were the Africans. So it wasn’t just African labor that built this country: It was African agricultural experience and expertise. South Carolina itself – where the recent atrocities at Mother Emanuel Church were perpetrated – was a majority black state for decades (see below). Other regions of America – Texas, for example – were Hispanic before they were ever Anglo, and yet we express surprise that we have so many Spanish speakers and feel that this threatens “our” identity.

Seriously, people. We need to get over ourselves and make friends with the idea that “American” is a many-colored thing. Can we not just appreciate one another?SCarolinaPopFigs

How Do You Feel About Emotion?

"Communication" (Side One) 18 x 14

“Communication” (Side One) 18 x 14

Yesterday I attended a Writers’ League of Texas workshop on “More Than a Feeling: Writing with Emotion” conducted by author Greg Garrett. He shared with us a whole heap of wisdom he said he acquired from his own writing guru Robert Olen Butler at U. Iowa. It was clear that he had verified all of this wisdom personally. Perhaps most importantly, he told us that each of us has within ourselves a “compost heap” of forgotten things that contains every emotion we will ever need to access in our writing. This morning I found his message reinforced by a quote from Brene Brown about vulnerability and the difference between sympathy (a disconnect) and empathy (connection): “Vulnerability isn’t good or bad. It’s not what we call a dark emotion, nor is it always a light, positive experience. Vulnerability is the core of all emotions and feelings. To feel is to be vulnerable. To believe vulnerability is weakness is to believe that feeling is weakness.” And then I started to remember what my Buddhist gurus were trying to teach me about compassion and the necessity of going to “the places that scare you”…

So now I know I need to shed my armor and jump into my own redolent, simmering compost heap and return to my manuscript for one last heart-wrenching revision. Thank you, Greg!

Thresholds

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Today I am thinking about thresholds – but not physical doorways, gateways, borders, or frontiers. No, I am thinking of thresholds we use to mark the passage of time. Last night I watched a stunning sunset on Playa Tamarindo, and this morning I rose early and made my way to the playa in the dark in order to watch the full moon set over the same waters, just as the sun was beginning to peek above the eastern horizon. It was an unforgettable spectacle.

Ursula Le Guin writes, “A frontier has two sides. It is an interface, a threshold, a liminal site, with all the danger and promise of liminality.” I find the thresholds between day and night, between the presence and absence of the moon, equally infused with danger and promise. And yet in this case the promise lies in the confidence that this is a cycle that will repeat itself. After night, day will come again. The moon, too, will reappear in the eastern sky. And as it wanes into a mere sliver, I know that it will grow again to the bright disk of light I saw in the sky this morning. The tides that made the beach so broad, will soon make it a mere narrow strip.

What we remark most, what we find most enchanting, are the markers, the thresholds we impose on time – sunrise, sunset; the full moon and new moon. In fact, the sun holds its place while our planet slowly, regularly, turns on its slightly off-kilter axis. Likewise, the moon circles our little planet on its regular path, unconcerned with which portions of the globe currently enjoy its soft, reflected light.

It’s all a matter of perception.

Reporting From Tamarindo

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Reporting from Tamarindo BLOG 02/02 Eating my beautiful breakfast this morning (papaya, pineapple, watermelon, rice-and-beans, plantain, camote pudding) looking out at the beautiful Pacific Ocean… I found myself craving solitude. The breakfast was great, the view was amazing – but the hotel cafe was huge and crowded with noisy guests, ready to head off in a hundred different directions in pursuit of whatever they felt worthy of their time and effort. “I could go back to my room,” I thought. My room is at the very back corner of the hotel, where huge mango trees conceal more than a few howler monkeys. I hear them, but I’ve only seen one. I also saw a really big iguana! But no… I wasn’t looking for isolation. Just solitude. Just a place where I could feel happy to be alone. Well… I found my place. It’s called Cafe Tico and it has outdoor seating under a guanacaste tree. It has iced soy lattes. And it’s right in front of a bookstore, which will open in 15 minutes.

Arrived in Costa Rica!

 

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I love being in places that resist being tamed – places with mountains, sea coasts, jungles. Costa Rica has all of these things. It also has hotels, like the one I spent the night in, where a space has been appropriated and domesticated for human use. I hear the call of wild birds as well as the crow of a rooster, from somewhere in one of the simple shacks that line the chain link fence behind our hotel. And there is a noticia on the back of our door about what to do in case of earthquake. I am looking forward to standing at the edge of the Pacific Ocean in a few hours’ time!

No Heroes

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We yearn for heroes, for larger-than-life, superhuman beings who are always good, almighty, victorious. Heroes are reliable; we can count on them, trust them to save the maiden and the victim of misfortune, to slay whatever dragons threaten. The old sagas of gods and titans titillate our expectations, which are further fed by comic book narratives and blockbuster movies. Our modern media toss the word “hero” around like confetti, celebrating all kinds of activities, christening the most unlikely of characters.

There are no heroes. Human beings are capable of heroic acts, but they cannot help but remain human beings. Our favorite comic book characters – Superman, Batman – have their human alter-egos who remain vulnerable to the emotional upheavals of love, sorrow, anger. Yet it is only when they don their hero’s garb that we recognize them as heroic.

I long for the day when we can celebrate humanity rather than heroism, when we can honor the deeds of simple kindness and reason, when altruism doesn’t have to be spectacular to merit our admiration. Human beings are remarkable creatures. For me, they are enough.

TOMORROW’S BLOG: No Villains

Giving Tuesday

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Some people say that humanity can be divided into two groups – givers and takers. On the contrary, I believe that, depending on time and place and circumstance, we are all givers, we are all takers.

Today has been designated online as “Giving Tuesday”, a day on which all of us make an effort to be givers. There are many worthy recipients for your generosity. Choose something you believe in, something you have vetted and which you know will make good use of your gift. Then give in the spirit of the quote above from Lilla Watson, knowing that we are all in this together.

What the Birds Say

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“A bird doesn’t sing because it has an answer, it sings because it has a song.” -Maya Angelou

When I go for walks, my favorite soundtrack is the sound of birds, and I have been noticing how the soundtrack changes through the course of the year, through the hours of the day. In summer, I was always accompanied by the cooing of mourning doves and the calls of cardinals. More recently, the mockingbirds have been taking center stage. Evenings are always filled with the raucous cries of grackles. With all due respect to Dr. Angelou, not all birds sing – but they all have something to say and it is always worth hearing. The sketch above was done at the monastery I visit in Nepal, where I became convinced that the swallows outside my window, were reciting mantras about the vastness of the sky…

A Question of Balance

 

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During the first weekend of EAST Austin Studio Tour, 2014 edition, I had some wonderful, insightful conversations with my guests about my paintings and about art in general. It was a very rewarding experience except for one minor detail: Nobody bought anything. I had good sales during the 2013 tour, so I guess I had expectations for 2014 as well.

A young high school student sat down with me late Sunday afternoon in the waning hours of the first weekend’s tour to interview me for a class assignment. “What is the point of making art?” he wanted to know. I rambled on about the importance of the viewer as well as the artist in completing a work of art. “The goal of art is to engage the viewer, to get them to stop for a moment and engage with something more than daily life.”

With that as a goal, my first weekend of EAST was clearly a success. Numerous visitors were engaged enough to hang around and talk about my pieces. Some took the time to read the accompanying poems posted with several of the paintings, poems from my fellow writers at Austin Zen Center’s Tuesday night writing group.

Maybe this weekend someone will feel engaged enough with one of my paintings to want to take it home with them. We are open at 702 Shady Lane from 11-6 both Saturday and Sunday.

(The painting above is entitled, “A Question of Balance.” It is available.)