I needed a new cover for the re-issue of Way of the Serpent, something that could provide the basis of covers for sequels in what has now become the Recall Chronicles. I analyzed the covers of dozens of other dystopian science fiction novels. I perused photographs available online. I searched through my own considerable inventory of photographs.
I kept going back to this one painting (see above), to which I’d attached a rather complicated title, a title that was in fact a line from a Buddhist practice I did sometimes: “One is the agent, caught in the reaction of cause and effect.”
The more I thought about it, the more I came to the conclusion that this painting and my novels were coming from the same space, a space in which agency constantly grapples with conditions that are, after all, oftentimes a result of one’s own actions. We’re not puppets, but we’re never free of entanglements, never entirely free agents.
The characters in my novels are like this, valiantly battling the circumstances of their lives, circumstances that are, to a varying extent, their own fault.